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book (50)


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English (50)


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1962 (50)

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Moby Dick : the myth and the symbol : a study in folklore and literature
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Year: 1962 Publisher: Ljubljana Ljubljana University Press

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The African image.
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Year: 1962 Publisher: London : Faber and Faber,

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The meaning of Moby Dick
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Year: 1962 Publisher: New York Russell & Russell

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The Metaphoric Structure of Paradise Lost
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Year: 1962 Publisher: Baltimore, Johns Hopkins Press

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The Metaphoric Structure of Paradise Lost
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Year: 1962 Publisher: Baltimore, Johns Hopkins Press

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Mirror of minds : changing psychological beliefs in English poetry
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ISBN: 1442632690 1442651768 1442651075 Year: 1962 Publisher: Toronto, [Ontario] : University of Toronto Press,

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The aim of this book is to illustrate the ways in which at various periods English poetry has reflected current views of the human mind, with special reference to such topics as its place in the cosmos, its relations with the body, the connections between sense, passions, and reason, the problem of soul and its possible survival after death.


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Suffering and evil in the plays of Christopher Marlowe.
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Year: 1962 Publisher: Princeton, N.J. : Princeton University Press,

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Pale Hecate's team : an examination of the beliefs on witchcraft and magic among Shakespeare's contemporaries and his immediate successors
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Year: 1962 Publisher: London : Routledge and Kegan Paul,

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The Metaphoric Structure of Paradise Lost
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Year: 1962 Publisher: Baltimore, Johns Hopkins Press

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A preface to Chaucer
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ISBN: 0691060991 9781400876112 1400876117 9780691060996 0691012946 9780691012940 0691621721 9780691621722 0691648557 9780691648552 Year: 1962 Publisher: Princeton, N.J.

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What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer's poetry. His book is like a rich tapestry weaving together many threads.Originally published in 1962.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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